“Yet it can happen, suddenly, unexpectedly, and most frequently in the half-light-of-glimpses, that we catch sight of another visible order which intersects with ours and has nothing to do with it.[…] We come upon a part of the visible which wasn’t destined for us. Perhaps it was destined for night-birds, reindeer, ferrets, eels, whales…” John Berger

Tristan Plot is a bird educator; he prepares them to work with human beings in theatrical and dance shows or film documentaries and develops with them some “ornithotherapy” sessions with prisoners and people in distress. When he was a child, in the forest behind his parents’ house in the Touraine, Tristan noticed that, if he remained still for a long time, the animals came out of the vegetation and it was possible to observe them. Even today, this practice of slow approach, respecting the rhythm of nature, remains essential to his educational method. Since he studied ecology, biology and ethology at the university, he developed an educational technique at the intersection of imprinting, traditional training and « positive training”.
His method is a set of observation and predisposition of mind in harmony with the environment, according to the sensitivity of the other and in relation to expression and behaviour codes which are different from the human ones. Tristan, through the intuition of animality as something delicate, subtle and minimal, defines the relationship with birds as an exclusive bond able to reconcile the rhythm of the species with the individual one. His research is based on the understanding of the sensitivity of birds and aims to recover that ability, which got lost over the course of evolution, of perceiving the minimal variations and micro movements that are the expressive world of animals.
96 pages + 16

Halogénure #04
Keywording (Post) Contemporary Art - Greta Rusttt
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Imagos - Noémie Lothe
Aurore Colbert - Marie Mons
Photographic Fields - Joël Van Audenhaege
Shanghai Cosmetic - Leslie Moquin
Objets Minces - Collectif
Der Erste Rotkehlchen - Le livre
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
akaBB - tribute to Roni horn
Dear Paul - Paul Van der Eerden
Le vieux père - Laurent Kropf
L'atelier partagé avec Géraldine Trubert
Le chateau enchanté - Atelier Mclane
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Expériences pédagogiques Workshop La Plata 01. - Collectif - Zeug
Deep state - Mathieu Desjardins
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Fluent - Laëticia Donval
Slanted 30 - Athens
Rasclose - Geoffroy Mathieu
SKKS - Gilles Pourtier
Prose postérieure - Les commissaires anonymes
Konrad Becker - Dictionnaire de réalité stratégique
Seoul Flowers & Trees - tribute to Lee Friedlander
Salt Crystal - Fabio Parizzi
Dernier royaume - Quentin Derouet
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Mapping Bookbinding Poster- Simon Ruault
Cosmopolites - Christoffer Ellegaard
Sillo n°3 - Le Fauve
Tupera Tupera Postcard Book
Sights - Henry McCausland
Pectus Excavatum - Quentin Yvelin
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Gros Gris n°4 - Duel
Critique d'art n°55
Mökki n°2
America - Ayline Olukman, Hélène Gaudy
Optical Sound 3
Temps d'arrêt - Etienne Buyse
Lavalse des tambours - Paul Rey
Mökki n°4
Aristide n°4 































