“Yet it can happen, suddenly, unexpectedly, and most frequently in the half-light-of-glimpses, that we catch sight of another visible order which intersects with ours and has nothing to do with it.[…] We come upon a part of the visible which wasn’t destined for us. Perhaps it was destined for night-birds, reindeer, ferrets, eels, whales…” John Berger

Tristan Plot is a bird educator; he prepares them to work with human beings in theatrical and dance shows or film documentaries and develops with them some “ornithotherapy” sessions with prisoners and people in distress. When he was a child, in the forest behind his parents’ house in the Touraine, Tristan noticed that, if he remained still for a long time, the animals came out of the vegetation and it was possible to observe them. Even today, this practice of slow approach, respecting the rhythm of nature, remains essential to his educational method. Since he studied ecology, biology and ethology at the university, he developed an educational technique at the intersection of imprinting, traditional training and « positive training”.
His method is a set of observation and predisposition of mind in harmony with the environment, according to the sensitivity of the other and in relation to expression and behaviour codes which are different from the human ones. Tristan, through the intuition of animality as something delicate, subtle and minimal, defines the relationship with birds as an exclusive bond able to reconcile the rhythm of the species with the individual one. His research is based on the understanding of the sensitivity of birds and aims to recover that ability, which got lost over the course of evolution, of perceiving the minimal variations and micro movements that are the expressive world of animals.
96 pages + 16

Le corps travesti - Michel Journiac
Wages For Wages Against – Volume 1 + 2
ICCMHW - Atelier Choque Le Goff
Graphzine Visages
Good Company - Paul Van der Eerden
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Bacon le Cannibale - Perrine Le Querrec
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
America - Ayline Olukman, Hélène Gaudy
Roven n°5
Sans titre - Benjamin Hartmann
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Saint Julien l'hospitalier Tome 3 - Claire Pedot
La France de tête #04
Atopoz - Collectif
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Sights - Henry McCausland
Fluent - Laëticia Donval
Slanted 24 - Istanbul
Seoul Flowers & Trees - tribute to Lee Friedlander
Tomber dans l'escalier - Jasper Sebastian Stürup
Retour d'y voir - n° 3 & 4 - Mamco
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Gros Gris n°4 - Duel
La traversée - Magali Brueder
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Zoom Age - Julien Auregan
Cuadernos - Henry Deletra
Dernier royaume - Quentin Derouet
Les soleils qui tournent ont des oreilles - coll.
Eros negro #2 - Demoniak
Hmm ! - C. de Trogoff
Der Erste Rotkehlchen - Le livre
Dédale - Laurent Chardon
Rasclose - Geoffroy Mathieu
The Book Fight - Chihoi
Le blanc nez - Fouss Daniel
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Revue Les Saisons n°3
akaBB - tribute to Roni horn
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Mosaïque d'asphalte - Jack Torrance
Dessins pour Rugir - Virginie Rochetti
Halogénure #04
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Photographic Fields - Joël Van Audenhaege
Aurore Colbert - Marie Mons
Wayfaring - Patrick Messina, André S. Labarthe
À partir de n°1 - Coll.
Shanghai Cosmetic - Leslie Moquin
Pectus Excavatum - Quentin Yvelin
Email Diamant - Fabienne Radi
Dear Paul - Paul Van der Eerden
Il était deux fois - Gary Colin
Sans titre - Chris Kiss
Le chateau enchanté - Atelier Mclane
Eros Negro # 1 - Demoniak
Deep state - Mathieu Desjardins
La prise - Florian Javet
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Strates & Archipels - Pierre Merle
Temps d'arrêt - Etienne Buyse 































