“Yet it can happen, suddenly, unexpectedly, and most frequently in the half-light-of-glimpses, that we catch sight of another visible order which intersects with ours and has nothing to do with it.[…] We come upon a part of the visible which wasn’t destined for us. Perhaps it was destined for night-birds, reindeer, ferrets, eels, whales…” John Berger

Tristan Plot is a bird educator; he prepares them to work with human beings in theatrical and dance shows or film documentaries and develops with them some “ornithotherapy” sessions with prisoners and people in distress. When he was a child, in the forest behind his parents’ house in the Touraine, Tristan noticed that, if he remained still for a long time, the animals came out of the vegetation and it was possible to observe them. Even today, this practice of slow approach, respecting the rhythm of nature, remains essential to his educational method. Since he studied ecology, biology and ethology at the university, he developed an educational technique at the intersection of imprinting, traditional training and « positive training”.
His method is a set of observation and predisposition of mind in harmony with the environment, according to the sensitivity of the other and in relation to expression and behaviour codes which are different from the human ones. Tristan, through the intuition of animality as something delicate, subtle and minimal, defines the relationship with birds as an exclusive bond able to reconcile the rhythm of the species with the individual one. His research is based on the understanding of the sensitivity of birds and aims to recover that ability, which got lost over the course of evolution, of perceiving the minimal variations and micro movements that are the expressive world of animals.
96 pages + 16

Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Mökki n°4
Ilya Ehrenbourg - Et pourtant elle tourne
Dessins pour Rugir - Virginie Rochetti
Hmm ! - C. de Trogoff
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Papier magazine n°06 - Coupe du monde
Dédale - Laurent Chardon
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Le vieux père - Laurent Kropf
Copy This Book - Eric Schrijver
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Rasclose - Geoffroy Mathieu
SKKS - Gilles Pourtier
Photographic Fields - Joël Van Audenhaege
Norovirus - Orgie en mers chaudes - Claude Grétillat
Lavalse des tambours - Paul Rey
Imagos - Noémie Lothe
akaBB - tribute to Roni horn
Machiavel chez les babouins - Tim Ingold
Critique d'art n°55
Le singe et le bijoux - Roxane Lumeret
Le déclin du professeur de tennis - Fabienne Radi
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
America - Ayline Olukman, Hélène Gaudy
La mémoire en acte - Quarente ans de création musicale
Le corps travesti - Michel Journiac
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
The Shelf - Journal 3
movement in squares - Stefanie Leinhos
Zoom Age - Julien Auregan
š! #39 'The End' - coll.
Radio-Art - Tetsuo Kogawa
It was a good day - Jeremy Le Corvaisier
Blaclywall by Sihab Baik - Claude Closky
Mökki n°2
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Eros negro n°3 - Démoniak
Aristide n°4
The Book Fight - Chihoi
Un peu comme voir dans la nuit - Leif Elggren + CD
Gros Gris n°4 - Duel
Roven n°4
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
Autodrône - Divine Vizion
Betty Tompkins - Raw Material
Before Science - Gilles Pourtier, Anne-Claire Broc'h 































