“Yet it can happen, suddenly, unexpectedly, and most frequently in the half-light-of-glimpses, that we catch sight of another visible order which intersects with ours and has nothing to do with it.[…] We come upon a part of the visible which wasn’t destined for us. Perhaps it was destined for night-birds, reindeer, ferrets, eels, whales…” John Berger

Tristan Plot is a bird educator; he prepares them to work with human beings in theatrical and dance shows or film documentaries and develops with them some “ornithotherapy” sessions with prisoners and people in distress. When he was a child, in the forest behind his parents’ house in the Touraine, Tristan noticed that, if he remained still for a long time, the animals came out of the vegetation and it was possible to observe them. Even today, this practice of slow approach, respecting the rhythm of nature, remains essential to his educational method. Since he studied ecology, biology and ethology at the university, he developed an educational technique at the intersection of imprinting, traditional training and « positive training”.
His method is a set of observation and predisposition of mind in harmony with the environment, according to the sensitivity of the other and in relation to expression and behaviour codes which are different from the human ones. Tristan, through the intuition of animality as something delicate, subtle and minimal, defines the relationship with birds as an exclusive bond able to reconcile the rhythm of the species with the individual one. His research is based on the understanding of the sensitivity of birds and aims to recover that ability, which got lost over the course of evolution, of perceiving the minimal variations and micro movements that are the expressive world of animals.
96 pages + 16

How Many - Nathalie Du Pasquier
Turbo Decompress - Coll.
Idoine & Antonin Giroud-Delorme
Carnivore - Grow
CURIOSITY — David Lynch
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
Slow Down Abstractions - Adrien Vescovi
Dédale - Laurent Chardon
IRL - In real life n°1 - Coll.
Editer l’art – Leszek Brogowski
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Ventoline 5 - Coll.
Salt Crystal - Fabio Parizzi
Véhicule N°7 - Collectif
Capolavori - Livio Vacchini
Denver Mosaic 1961 - René Heyvaert
François Morellet - 5 x 3 - François Morellet, Serge Lemoine, Frédéric Valabrègue
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
La grande surface de réparation - Gilles Pourtier
Sights - Henry McCausland
Piano - Joseph Charroy
Dictionary - Claude Closky
Screen Printing Basics - ottoGraphics
Les glaciers - Lorraine Druon
Regards croisés — Gekreutze Blicke - Yeloyolo
ARBRES-TRONCS - Zoé van der Haegen
Berlin Khaltura - Iliazd
Slanted 30 - Athens
Critique d'art n°55
Jean-Jacques a dit - Angèle Douche
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
interférence - 3 - maycec
La mémoire en acte - Quarente ans de création musicale
Mökki n°4
Roven n°5
Perturbations - Rosaire Appel
UPO 2 - J'aimerai être là - Xenia Naselou
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Vanishing Workflows - Xavier Antin
Délié - Baptiste Oberson
The life of Ruben - Bernardo Sousa Santos
L’île de Reil - Karine Portal
Aurore Colbert - Marie Mons
Titanic Orchestra - Julien Mauve 































