“Yet it can happen, suddenly, unexpectedly, and most frequently in the half-light-of-glimpses, that we catch sight of another visible order which intersects with ours and has nothing to do with it.[…] We come upon a part of the visible which wasn’t destined for us. Perhaps it was destined for night-birds, reindeer, ferrets, eels, whales…” John Berger

Tristan Plot is a bird educator; he prepares them to work with human beings in theatrical and dance shows or film documentaries and develops with them some “ornithotherapy” sessions with prisoners and people in distress. When he was a child, in the forest behind his parents’ house in the Touraine, Tristan noticed that, if he remained still for a long time, the animals came out of the vegetation and it was possible to observe them. Even today, this practice of slow approach, respecting the rhythm of nature, remains essential to his educational method. Since he studied ecology, biology and ethology at the university, he developed an educational technique at the intersection of imprinting, traditional training and « positive training”.
His method is a set of observation and predisposition of mind in harmony with the environment, according to the sensitivity of the other and in relation to expression and behaviour codes which are different from the human ones. Tristan, through the intuition of animality as something delicate, subtle and minimal, defines the relationship with birds as an exclusive bond able to reconcile the rhythm of the species with the individual one. His research is based on the understanding of the sensitivity of birds and aims to recover that ability, which got lost over the course of evolution, of perceiving the minimal variations and micro movements that are the expressive world of animals.
96 pages + 16

Délié - Baptiste Oberson
ARTZINES #1, Paris issue
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Slanted 30 - Athens
Tchat - Gary Colin
Temps d'arrêt - Etienne Buyse
Gros Gris n°4 - Duel
Strates - Else Bedoux
Papier magazine n°06 - Coupe du monde
À partir de n°1 - Coll.
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Wayfaring - Patrick Messina, André S. Labarthe
Design sous artifice : la création au risque du machine learning - Anthony Masure
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Critique & création - L.L. de Mars
Le déclin du professeur de tennis - Fabienne Radi
9 octobre 1977 - Roberto Varlez
akaBB - tribute to Roni horn
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Umami - Ariane Vonmoos
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Cyclone - Juliette Chalaye
Bodies in Scattered Light - Andriu Deplazes
Trous gris - Michel Vachey
Piano - Joseph Charroy
SKKS - Gilles Pourtier
Lisa Zordan . one-shot the end
Teddy et le Grand Terrible - Orian Mariat.
Denver Mosaic 1961 - René Heyvaert
Rasclose - Geoffroy Mathieu
À partir de n°4 - Collectif
Dédale - Laurent Chardon
Jean-Jacques a dit - Angèle Douche
People Painting - Fabienne Radi
Strates & Archipels - Pierre Merle
Le blanc nez - Fouss Daniel
本の本の本 - antoine lefebvre editions,
Lavalse des tambours - Paul Rey
Mökki n°4
In The Navy - Julien Kedryna 































