Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Cyclone - Juliette Chalaye
Capolavori - Livio Vacchini
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
ADBC du Dessin - Jacques Floret
Aristide n°4
I Am Not I - Boris Mikhailov
Rasclose - Geoffroy Mathieu
La mémoire en acte - Quarente ans de création musicale
Saint Ferreol - Trente plats - Jérémy Piningre & Aëla Mäi Cabel
Gros Gris n°4 - Duel
A l'origine - Anne-Émilie-Philippe
L'internationale modique (AND 3) - J-M. Bertoyas
Pectus Excavatum - Quentin Yvelin
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
La traversée - Magali Brueder
Dear Paul - Paul Van der Eerden
Atopoz - Collectif
Aube - Caroline Bachmann
Red Horse - Sasha Kurmaz
The Barefoot Promise - Pierre Leguillon
Le museau de mes amies m’amuse - Jehane Mahmoud
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Deep state - Mathieu Desjardins
Un peu comme voir dans la nuit - Leif Elggren + CD
À partir de n°1 - Coll.
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
Philatélie - Magali Brueder
Seoul Flowers & Trees - tribute to Lee Friedlander
Sans titre - Chris Kiss 







