Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
Retour d'y voir - n° 3 & 4 - Mamco
Sans-Titre - Laurens Van'T Riet
Entrelacs - Bill Noir
Zoom Age - Julien Auregan
Absorber les fantômes - coll
Slikmiks - Mikkel Sommer / Mekl
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Crampes pâles... Mathilde Brion et Martin Lafaye
Quand l’ocean se retire d’Henri C. - Billiam C. et Camille Carbonaro
Dear Paul - Paul Van der Eerden
Vanishing Workflows - Xavier Antin
It was a good day - Jeremy Le Corvaisier
Mission Control - Emir Karyo & Jan Wojda
A R N O R D I R - FLorian Marciourt
Les ratons laveurs - Sophie Couderc
PRISON MUSEUM - Nicolò Degiorgis
Spectres n°4 - Mille voix
IBM – Graphic Design Guide from 1969 to 1987
La nuit, tu mens - Ambre Husson
The Shelf - Journal 3
Chausse-trape - Henri Crabières
Catalogue Art Guys - That's painting productions, Bernard Brunon
Le lacéré anonyme - Jacques Villeglé
Folding Space Ship - ottoGraphic
AMONG THE TREES - LIVIA DE MAGISTRIS
Seoul Flowers & Trees - tribute to Lee Friedlander
Apiary - Robin Friend
Soundtrack/s - Rosaire Appel
Sans titre - Benjamin Hartmann 







