Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Confetti - Gary Colin
AARC – Alter Architecture Research Collective n° 01
Dernier royaume - Quentin Derouet
Strates & Archipels - Pierre Merle
Le dos des choses - Guillaume Goutal
Denver Mosaic 1961 - René Heyvaert
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Kriss Kross 2019 - Genêt Mayor
akaBB - tribute to Roni horn
Vacuité 9090 - Jérémy Piningre
Temps d'arrêt - Etienne Buyse
twen [1959–1971]
Farandole - Jérémie Fischer
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
Holy Mountain - Maia Matches, Knuckles & Notch
本の本の本 - antoine lefebvre editions,
Vers Vermersch - Thomas Dunoyer de Segonzac
Véhicule N°7 - Collectif
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Email Diamant - Fabienne Radi
The life of Ruben - Bernardo Sousa Santos 







