Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Talk Soon - Erik Kessels & Thomas Sauvin
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
本の本の本 - antoine lefebvre editions,
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Titanic Orchestra - Julien Mauve
Mökki n°2
The Book Fight - Chihoi
Editer l’art – Leszek Brogowski
Assembly - Sam Porritt
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Du Fennec au Sahara - Guillaume Pinard
Un essai sur la typographie - Eric Gill
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
Papier magazine n°06 - Coupe du monde
Les voiles de Sainte-Marthe - Christian Rosset 







