Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Teddy et le Grand Terrible - Orian Mariat.
Optical Sound 3
Saveurs imprévues et secrètes - Gilbert Lascault
The Tinklers Charts and Stories - LEBRUN Olivier, LEHNI Urs
Inframince et hyperlié - Philippe Lipcare
Denver Mosaic 1961 - René Heyvaert
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Mökki n°2
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Hérésie Étiologique - coll.
Artzines #12 Provo Special
Une livre - Christine Demias
JJ – Tartine-moi et autres textes - Jill Johnston
Capolavori - Livio Vacchini
Objets Minces - Collectif
Reading - Ilan Manouach
Super Kiblind 3
Aristide n°4 







