Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Do insects play ? - Johanna Tagada Hoffbeck
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
She is warm - Iringo Demeter
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Alma Mater n°1
L'amie de mes rêves - Violette Gorgiard
America - Ayline Olukman, Hélène Gaudy
Répliques - Claude Gretillat
ICCMHW - Atelier Choque Le Goff
AMONG THE TREES - LIVIA DE MAGISTRIS
La prise - Florian Javet 







