Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Link Human / Robot - Collectif dir. Emmanuelle Grangier
Talweg 6 - La distance
Temps d'arrêt - Etienne Buyse
Aristide n°4
Regards croisés — Gekreutze Blicke - Yeloyolo
La prise - Florian Javet
Elk - Jocko Weyland
À partir de n°1 - Coll.
Cuadernos - Henry Deletra
Modern Instances, The Craft of Photography - Stephen Shore
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
16 x 421 - Lorraine Druon
L'inventaire des destructions - Éric Watier
To Be Determined: Photography and the Future - Duncan Wooldridge
Sans titre - Benjamin Hartmann
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Aurore Colbert - Marie Mons
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Optical Sound 2
Le dos des choses - Guillaume Goutal
Critique d'art n°55
Copy This Book - Eric Schrijver
Philonimo - Le Loup de Hobbes - Alice Brière-Haquet, Herbéra
Après la révolution – numéro 1
In The Navy - Julien Kedryna
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Bodies in Scattered Light - Andriu Deplazes
Autoportrait - Carla Lonzi
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Prototype 02 - morcellement
Alma Mater n°1
Grilles - Zelda Mauger 







