Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

ADBC du Dessin - Jacques Floret
Wayfaring - Patrick Messina, André S. Labarthe
ARTZINES #1, Paris issue
Temps d'arrêt - Etienne Buyse
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Tupera Tupera Postcard Book
Philippe Marien - OR BOR #4
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Sans titre - Chris Kiss
Cyclone - Juliette Chalaye
America - Ayline Olukman, Hélène Gaudy
Shanghai Cosmetic - Leslie Moquin
Entretiens – Jérôme Dupeyrat
Autoportrait - Carla Lonzi
Keywording (Post) Contemporary Art - Greta Rusttt
Eros Negro # 1 - Demoniak
Polyphème (d'après Euripide) - J. & E. LeGlatin
Illusive prosody - Alex Beaurain
Pénurie - Zivo, Jérôme Meizoz
Citrus maxima xparadisi - coll.
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Zoom Age - Julien Auregan
Talweg 6 - La distance
La tour Tatline - Georgi Stanishev
Grilles - Zelda Mauger
Watch out - Anne-Émilie-Philippe
Dans la Lune - Fanette Mellier
Prendre l’image, Le graphisme comme situation politique - Olivier Huz
Dear Paul - Paul Van der Eerden
Perturbations - Rosaire Appel
Rasclose - Geoffroy Mathieu
Optical Sound 3 







