Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

In The Navy - Julien Kedryna
Temps d'arrêt - Etienne Buyse
Seoul Flowers & Trees - tribute to Lee Friedlander
Après la révolution – numéro 1
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
Denver Mosaic 1961 - René Heyvaert
Der Erste Rotkehlchen - Le livre
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Marginalia - Clément Laigle
UP8 — Pour une pédagogie de l'architecture
Les Grands Ensembles - Léo Guy-Denarcy
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Mökki n°2
Berlin Design Digest
Comic Book (Untitled) - Stéphanie Leinhos
Aristide n°4
De tels baisers - Jul Gordon
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Radio-Art - Tetsuo Kogawa
La Colombe de Kant - Alice BRIÈRE-HAQUET / Émilie VAST
Philonimo - Le Lézard de Heidegger - Alice Brière-Haquet, Sophie Vissière
Inventer l'école, penser la co-création - Marie Preston
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Critique d'art n°55
Tools #04 – Couper / To Cut
Critique & création - L.L. de Mars
Victor Papanek - Design pour un monde réel
Illusive prosody - Alex Beaurain
It was a good day - Jeremy Le Corvaisier 







