Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Saint Julien l'hospitalier Tome 3 - Claire Pedot
CURIOSITY — David Lynch
Ce que l'histoire fait au graphisme - Clémence Imbert
Philonimo - Le Corbeau d’Épictète - Alice Brière-Haquet, Csil
La typographie des Penguin Classics - Andrew Barker
Critique d'art n°55
Dernier royaume - Quentin Derouet
Sillo n°3 - Le Fauve
Objets Minces - Collectif
Tote Bag - Lucas Burtin x Librairie Lame
Artzines #12 Provo Special
Mökki n°4
Slanted 24 - Istanbul
Bokkusu - Nigel Peake
Dix éditeurs de livres d'artistes par eux-mêmes (1960-1980) (2 volumes) - Anne Mœglin-Delcroix
How to Become the Daughters of Darkness - Coll.
Ventoline 5 - Coll.
BEAUTY MEE EYE - Luc Natral
Gruppen n°13 - Collectif
Roven n°4
Le chateau enchanté - Atelier Mclane
Jean-Jacques a dit - Angèle Douche
Alma Mater n°1
Piano - Joseph Charroy
Assembly - Sam Porritt
Photographic Fields - Joël Van Audenhaege 







