Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Sillo n°3 - Le Fauve
Polyphème (d'après Euripide) - J. & E. LeGlatin
Deep state - Mathieu Desjardins
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Gros Gris n°4 - Duel
akaBB - tribute to Roni horn
Firestar - AD Rose
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Critique d'art n°56
Fluent - Laëticia Donval
Illusive prosody - Alex Beaurain
Le singe et le bijoux - Roxane Lumeret
Cuadernos - Henry Deletra
Keywording (Post) Contemporary Art - Greta Rusttt
Le corps travesti - Michel Journiac
Critique d'art n°54
Bacon le Cannibale - Perrine Le Querrec
Critique d'art n°55
La prise - Florian Javet
Alma Mater n°1
À partir de n°1 - Coll.
Escape - Makiko Minowa
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Dear Paul - Paul Van der Eerden 







