Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Barrage de Sarrans - Sandrine Marc
Modern Instances, The Craft of Photography - Stephen Shore
L'amour/Mon ange - Brûle et / Demange - Samoth Trauberchel
Musée des Beaux-Arts - Pierre Martel
Une histoire russe - Claude Grétillat
Blaclywall by Sihab Baik - Claude Closky
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Papier magazine n°06 - Coupe du monde
Ce qu'est ce que - Gabriel Hibert
< - Gabriel Kuri
Le chateau enchanté - Atelier Mclane
Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
Halfgrijs - Coll.
Prélude - Julien Gobled
Ventoline 6 - Coll
Eros negro n°3 - Démoniak
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
HARTES BROT - Moritz Schermbach
BEAUTY MEE EYE - Luc Natral
Janitor of Lunacy - Bryan Campbell
Imagos - Noémie Lothe
genital or genius - Paul
Fournitures - Julien Gobled
Followers - Agnès Wyler
Artzines # 10 - Show & Tell #2 NY Special
Idoine & Antonin Giroud-Delorme
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Saint Ferreol - Trente plats - Jérémy Piningre & Aëla Mäi Cabel
Ravedeath Convention - Jan Philipzen
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
УYY - Yelena Yemchuk
Un cheval, des silex - Benoît Maire, Sally Bonn
Aurore Colbert - Marie Mons
Un essai sur la typographie - Eric Gill
Strates & Archipels - Pierre Merle 







