Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Salt Crystal - Fabio Parizzi
ICCMHW - Atelier Choque Le Goff
Keywording (Post) Contemporary Art - Greta Rusttt
Échec et scotome - Jean Otth
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
Papier magazine n°06 - Coupe du monde
Burning Images, A History of Effigy Protests - Florian Göttke
Inframince et hyperlié - Philippe Lipcare
Le dos des choses - Guillaume Goutal
Konrad Becker - Dictionnaire de réalité stratégique
Dear Paul - Paul Van der Eerden
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Le corps travesti - Michel Journiac
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Rasclose - Geoffroy Mathieu
Clubhouse #14 - Colorama Books
Habitante 2 - Coll.
Illusive prosody - Alex Beaurain
Pectus Excavatum - Quentin Yvelin
Strates & Archipels - Pierre Merle 







