Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Rocher du Ciel - Martin Desinde
Zombie Girls 2.0 - Lucie Lučanská
Aurore Colbert - Marie Mons
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
La Bibliothèque grise - Jérôme Dupeyrat & Laurent Sfar
Rasclose - Geoffroy Mathieu
Kriss Kross 2019 - Genêt Mayor
Un essai sur la typographie - Eric Gill
Photographic Fields - Joël Van Audenhaege
Eldorado maximum - Les commissaires anonymes
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Escape - Makiko Minowa
A l'origine - Anne-Émilie-Philippe
Gruppen n°13 - Collectif
Erlebnispark - Paul & Carla
Délié - Baptiste Oberson
interférence - 3 - maycec
Fluent - Laëticia Donval
movement in squares - Stefanie Leinhos
Graphzine Visages
Strates & Archipels - Pierre Merle 







