Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Il était deux fois - Gary Colin
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Rasclose - Geoffroy Mathieu
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Artzines #12 Provo Special
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
Strates & Archipels - Pierre Merle
Avec ce qu'il resterait à dire - Anne Maurel
Roven n°4
La prise - Florian Javet
Morph - Camilo García A.
Le Gabion - Théo Robine-Langlois
Seoul Flowers & Trees - tribute to Lee Friedlander
Aristide n°4
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
How Many - Nathalie Du Pasquier
À partir de n°1 - Coll.
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Planète B - Gwenola Wagon
écrissa bolossa - Lætitia Paviani
La traversée - Magali Brueder
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Le style anthropocène - Philippe Rahm
It was a good day - Jeremy Le Corvaisier
Critique d'art n°55
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Zoom Age - Julien Auregan 







