Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Karbone Magazine n°8 - Parasite
movement in squares - Stefanie Leinhos
À partir de n°1 - Coll.
The Letter A looks like The Eiffel Tower - Paul Andali
Revue La Ronde n°14
Papier magazine n°06 - Coupe du monde
Marcel Proust en cinq minutes — Jackson B. Smith
Délié - Baptiste Oberson
Strates & Archipels - Pierre Merle
Imagos - Noémie Lothe
Bande Annonce - Cinéma & Bande Dessinée - Coll.
UP8 — Pour une pédagogie de l'architecture
Rois de la forêt - Alain Garlan
Catalogue Art Guys - That's painting productions, Bernard Brunon
ICCMHW - Atelier Choque Le Goff
Bambi # 4 - Collectif
Mökki n°2
Erlebnispark - Paul & Carla
Critique d'art n°54
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
LSD n° 04 – A manga issue
Red Horse - Sasha Kurmaz
Turbo Decompress - Coll.
Roven n°5
Cyclone - Juliette Chalaye
Schindler Manifesto
Saint Julien l'hospitalier Tome 2 - Claire Pedot 







