Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Spécimen Typographique : No Ko - Loris Pernoux
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Modern Instances, The Craft of Photography - Stephen Shore
Débris N°2 - Théo Garnier Greuez
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Papier magazine n°06 - Coupe du monde
Illusive prosody - Alex Beaurain
Saint Julien l'hospitalier Tome 1 - Claire Pedot 







