Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Sights - Henry McCausland
How Many - Nathalie Du Pasquier
Papier magazine n°06 - Coupe du monde
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Claude Monnaie - Jeanson Pechin
Aurore Colbert - Marie Mons
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Artzines # 10 - Show & Tell #2 NY Special
Critique & création - L.L. de Mars
Seoul Flowers & Trees - tribute to Lee Friedlander
twen [1959–1971]
La traversée - Magali Brueder
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Trash Dolls 2 - Aurel Schmidt
Parataxes + CD - Michael Gendreau
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Piotr - Pierre Escot, Denis Lavant
Choquer le monde à mort – Elles sont de sortie – Pascal Doury, Bruno Richard, Jonas Delaborde
akaBB - tribute to Roni horn
Zoom Age - Julien Auregan
Sur la page, abandonnés — vol.3
Mökki n°2 







