Ricardo Passaporte’s body of work is deeply engaged with the history of Pop, underscoring the evolving relationship between art and commerce as well as articulating the parallels between graffiti’s custom of tagging and the same repetitive, identity-driven practice of the corporate logo. By appropriating these logos as his artistic tag, Passaporte disrupts the relationship between brand and consumer.

210 x 297 mm, 12 pages, printed on Arcoprint Milk 100 gr paper.
Softcover printed on Materica Gesso 250 gr
Limited edition of 100 zines, numbered and signed by the artist

Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Mökki n°4
Atopoz - Collectif
Un essai sur la typographie - Eric Gill
Good Company - Paul Van der Eerden
Lavalse des tambours - Paul Rey
Eldorado maximum - Les commissaires anonymes
Holy etc. - Fabienne Radi
Sillo n°3 - Le Fauve
Strates & Archipels - Pierre Merle
Graphic Design Is (…) Not Innocent - Ingo Offermanns
Roven n°5
SKKS - Gilles Pourtier
Underground graphic design archive Paris
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
In The Navy - Julien Kedryna
Eros negro n°3 - Démoniak
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Le chateau enchanté - Atelier Mclane
Pénurie - Zivo, Jérôme Meizoz
Imagos - Noémie Lothe
Retour d'y voir - n° 1 & 2 - Mamco
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Tanière de lune - Maria-Mercé Marçal
Rasclose - Geoffroy Mathieu
Mökki n°2 







