Throughout her prolific career, Ursula Schulz-Dornburg has led the way in documenting man-made environments on the cusp of change and transition. The sites she visited were often remote and difficult to access. In 1996 and 1997 she traveled to Armenia and with a small portable camera made visual notes of remnants of Soviet architecture during her walks through the capital city of Yerevan. She developed the films on her return to Germany and in 2001 she edited and compiled the prints into a traditional notebook used in Armenian schools which she had bought back from one of her trips. This hand-made sketchbook was then dedicated to her daughter, Julia, who was studying architecture at the time.

This publication is a facsimile of the original sketchbook, an artist’s book work embedded with the history of the cultural artefacts long-since disassembled and the actions of the artist in walking through time and space, documenting and compiling the material.
OTA bound paperback with linen jacket
20 x 17 cm

Mosaïque d'asphalte - Jack Torrance
Il était deux fois - Gary Colin
Farandole - Jérémie Fischer
Le vieux père - Laurent Kropf
Critique d'art n°54
How Many - Nathalie Du Pasquier
Tanière de lune - Maria-Mercé Marçal
Musée des Beaux-Arts - Pierre Martel
Carnivore - Grow
Il est si difficile de trouver le commencement - Helen Thorington
Temps d'arrêt - Etienne Buyse
Gruppen n°14 - Collectif
Papier magazine n°06 - Coupe du monde
Keywording (Post) Contemporary Art - Greta Rusttt
L'inventaire des destructions - Éric Watier
Talweg 6 - La distance
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
À partir de n°1 - Coll.
In The Navy - Julien Kedryna
Lavalse des tambours - Paul Rey
Retour d'y voir - n° 3 & 4 - Mamco
Le singe et le bijoux - Roxane Lumeret
Un essai sur la typographie - Eric Gill
La France de tête - Lot de 4 numéros
Dédale - Laurent Chardon 

































