124 pages
black and white offset
smythsewn

The Sol LeWitt of comics delivers sublime beauty of abstract art as never before in a graphic novel.
Nothing stretches or bends, there is no movement, no animation, no life in static images. But by looking at these pared-down and simple pictures in sequence, you catch glimpses that would indicate otherwise—and that indication is magical. Before your eyes, these abstract simple lines, geometric shapes, and grids come to life. Vanishing Perspective is a comic book in which the reader is light itself.
Alexis Beauclair lives in France. His acclaimed illustrations and comics have been featured in the New York Times, Pitchfork Review, and Real Life.
Where did this man come from? […] lines so delicate they’re like hairs that have dropped onto a scanner from above. Who knew making a series of pictures in navy triangles and circles could be so beautiful? — It’s Nice That
We often expect comics to tell us the stories of adventures. Alexis Beauclair does precisely this and nothing else, but his work extends, synthesizes, crystallizes, refines and intensifies this tradition. « Action » is the watchword of his narratives, which follow the path of looking and the stages of perception to reconstitute the movement of an intelligence. Alexis Beauclair’s comics tell us the story of the adventure of drawing. And (almost) nothing else. — Laurent Bruel, Editions Matière
Alexis Beauclair’s minimalism makes generous play of the act of reading comics. Recalling the lively abstract animation of Viking Eggeling, Oskar Fischinger, and Al Jarnow, Beauclair’s formalism is intellectual but never academic. His precise, linear images reveal themselves to be shaded with humor and humanity in their juxtaposition and arrangement. — Bill Kartalopoulos, Series Editor for the #1 New York Times best selling Best American Comics series

Le Choix du peuple - Nicolas Savary, Tilo Steireif
Shanghai Cosmetic - Leslie Moquin
Illusive prosody - Alex Beaurain
Entretiens – Jérôme Dupeyrat
Photographic Fields - Joël Van Audenhaege
Dédale - Laurent Chardon
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Anderlecht — Molenbeek - Pierre Blondel
Good Company - Paul Van der Eerden
Imagos - Noémie Lothe
Un essai sur la typographie - Eric Gill
Dernier royaume - Quentin Derouet
Bacon le Cannibale - Perrine Le Querrec
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
Gruppen n°13 - Collectif
Slanted 30 - Athens
Zoom Age - Julien Auregan
Der Erste Rotkehlchen - Le livre
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
It was a good day - Jeremy Le Corvaisier
Pectus Excavatum - Quentin Yvelin
Assembly - Sam Porritt
Aurore Colbert - Marie Mons
Rois de la forêt - Alain Garlan
Editer l’art – Leszek Brogowski
La construction - Perrine Le Querrec
Seoul Flowers & Trees - tribute to Lee Friedlander
Mökki n°4
Keywording (Post) Contemporary Art - Greta Rusttt
Watch out - Anne-Émilie-Philippe
Gros Gris n°4 - Duel
本の本の本 - antoine lefebvre editions,
Catalogue Art Guys - That's painting productions, Bernard Brunon
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Je ne peux pas ne pas - Geneviève Romang
The Shelf - Journal 3
interférence - 2 - maycec
Roven n°5
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Nudism in a Cold Climate - Annebella Pollen
Odette - Benoît Le Boulicaut
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Papier magazine n°06 - Coupe du monde
Le corps travesti - Michel Journiac
Slanted 24 - Istanbul
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Aristide n°4 













