Nhu Xuan Hua delved into the power of memories in a piece of work titled “Tropism, Consequences of a Displaced Memory.”The work gives a face to those tropisms that describe spontaneous and automatic reactions initiated by vivid emotions in response to primarily needs or past events in life. Based on archival pictures from her family, the digital intervention interprets these memories through a new angle, exploring the effect of dissipation generated by time passing and driven by the forces of an inherited memory.

This study is an invitation for a treasure hunt on paper, where the images map a route connecting past and present. Places and people merge: he, she, they, here, there become one after having been separate for so long. In this imaginary bi-dimensional city, the elements from the photographs lose themselves and disappear, leaving behind them the mere and haunting presence of nostalgia.

Imagos - Noémie Lothe
Gros Gris n°4 - Duel
Je ne peux pas ne pas - Geneviève Romang
Editer l’art – Leszek Brogowski
interférence - 3 - maycec
Dear Paul - Paul Van der Eerden
L'inventaire des destructions - Éric Watier
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Le corps travesti - Michel Journiac
Objets Minces - Collectif
Philonimo - Le Chien de Diogène - Alice Brière-Haquet, Kazuko Matt
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Hmm ! - C. de Trogoff
Illusive prosody - Alex Beaurain
La beauté d'une musique qui ne compte pas - Kenneth Gaburo
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Holy etc. - Fabienne Radi
La mémoire de l’ordre. Les paradoxes du sens dans l’architecture moderne. - José Ignacio Linazasoro 

























