A collection of 41 monoprints created by Karel Martens in 2019 and 2020, reproduced on their original size (front and back). Karel Martens: « In 2018 I received a package by mail from Pierre Leguillon with a small pile of used Japanese forms which he had found at a street market in Tokyo. An intriguing collection, printed on thin paper with a rectangular black-blue layer of carbon on the back. Initially in 2019 I started to print on these back sides, but because the overprinting on the carbon layer caused unwanted damage, I eventually started printing them on the front sides as well. The closing image is related to Tokyo in a different way. » Design: Karel Martens with Roger Willems

40 recto + 40 verso

Sans titre - Chris Kiss
L'arum tacheté de J-M. Bertoyas
Papier magazine n°06 - Coupe du monde
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Editer l’art – Leszek Brogowski
Les soleils qui tournent ont des oreilles - coll.
Saveurs imprévues et secrètes - Gilbert Lascault
Pénurie - Zivo, Jérôme Meizoz
Une goutte d'homme - Alice Dourlen
Konrad Becker - Dictionnaire de réalité stratégique
Critique d'art n°54
The Letter A looks like The Eiffel Tower - Paul Andali
Hideous - Thomas Perrodin, Néoine Pifer
Lili, la rozell et le marimba / revue n°2
À partir de n°4 - Collectif
Zoom Age - Julien Auregan
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
interférence - 3 - maycec
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Critique d'art n°55
9 octobre 1977 - Roberto Varlez
Strates & Archipels - Pierre Merle
Image Canoë - Jérémie Gindre
Aurore Colbert - Marie Mons
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Optical Sound 3
People in a faraday cage - Stéphanie Gygax 







































