A collection of 41 monoprints created by Karel Martens in 2019 and 2020, reproduced on their original size (front and back). Karel Martens: « In 2018 I received a package by mail from Pierre Leguillon with a small pile of used Japanese forms which he had found at a street market in Tokyo. An intriguing collection, printed on thin paper with a rectangular black-blue layer of carbon on the back. Initially in 2019 I started to print on these back sides, but because the overprinting on the carbon layer caused unwanted damage, I eventually started printing them on the front sides as well. The closing image is related to Tokyo in a different way. » Design: Karel Martens with Roger Willems

40 recto + 40 verso

interférence - 3 - maycec
Future Book(s) Sharing Ideas on Books and (Art) Publishing - dir. Pia Pol, Astrid Vorstermans
Saint Julien l'hospitalier Tome 1 - Claire Pedot
It was a good day - Jeremy Le Corvaisier
Un cahier - Michel Quarez
Hérésie Étiologique - coll.
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Gruppen n°14 - Collectif
☀ - Manon Demarles
Isaiah Zagar . off zine 1
Holy Mountain - Maia Matches, Knuckles & Notch
Le chateau enchanté - Atelier Mclane
Morph - Camilo García A.
Mosaïque d'asphalte - Jack Torrance
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Retour d'y voir - n° 3 & 4 - Mamco
Strates & Archipels - Pierre Merle
Sans titre - Chris Kiss
Slanted 30 - Athens
16 x 421 - Lorraine Druon
Graphzine Visages
Der Erste Rotkehlchen - Le livre
Atopoz - Collectif
Donne des racines au loup-garou & fais courir l'arbre la nuit - Pauline Barzilaï
Tomber dans l'escalier - Jasper Sebastian Stürup
La typographie des Penguin Classics - Andrew Barker
Grilles - Zelda Mauger
La prise - Florian Javet
Rois de la forêt - Alain Garlan
Le singe et le bijoux - Roxane Lumeret
Critique d'art n°56
Assembly - Sam Porritt
A l'origine - Anne-Émilie-Philippe 







































