A collection of 41 monoprints created by Karel Martens in 2019 and 2020, reproduced on their original size (front and back). Karel Martens: « In 2018 I received a package by mail from Pierre Leguillon with a small pile of used Japanese forms which he had found at a street market in Tokyo. An intriguing collection, printed on thin paper with a rectangular black-blue layer of carbon on the back. Initially in 2019 I started to print on these back sides, but because the overprinting on the carbon layer caused unwanted damage, I eventually started printing them on the front sides as well. The closing image is related to Tokyo in a different way. » Design: Karel Martens with Roger Willems

40 recto + 40 verso

Aristide n°4
Les soleils qui tournent ont des oreilles - coll.
La prise - Florian Javet
Les danseurs du Balajo - 2017-2018 - Carole Bellaïche
Critique d'art n°55
Le chateau enchanté - Atelier Mclane
Flower finds - Orianne Jeanselme
Je ne peux pas ne pas - Geneviève Romang
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Hérésie Étiologique - coll.
Comic Book (Untitled) - Stéphanie Leinhos
Zoom Age - Julien Auregan
Chantonnements - Geoffroy Pithon
Sans titre - Chris Kiss
Les Grands Ensembles - Léo Guy-Denarcy
Imagos - Noémie Lothe
La traversée - Magali Brueder
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Il était deux fois - Gary Colin
Les voiles de Sainte-Marthe - Christian Rosset
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Rois de la forêt - Alain Garlan
Temps d'arrêt - Etienne Buyse
Nebulae - Aude Barrio, Néoine Pifer
Carnivore - Grow
Mökki n°4
L'inventaire des destructions - Éric Watier 







































