A collection of 41 monoprints created by Karel Martens in 2019 and 2020, reproduced on their original size (front and back). Karel Martens: « In 2018 I received a package by mail from Pierre Leguillon with a small pile of used Japanese forms which he had found at a street market in Tokyo. An intriguing collection, printed on thin paper with a rectangular black-blue layer of carbon on the back. Initially in 2019 I started to print on these back sides, but because the overprinting on the carbon layer caused unwanted damage, I eventually started printing them on the front sides as well. The closing image is related to Tokyo in a different way. » Design: Karel Martens with Roger Willems

40 recto + 40 verso

Dark optics - David Claerbout
Gros Gris n°4 - Duel
Wayfaring - Patrick Messina, André S. Labarthe
Illusive prosody - Alex Beaurain
The Shelf - Journal 3
Graphic Design Is (…) Not Innocent - Ingo Offermanns
MegaOctet Verbateam
La mémoire en acte - Quarente ans de création musicale
Retour d'y voir - n° 1 & 2 - Mamco
Sillo n°3 - Le Fauve
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Il était deux fois - Gary Colin
Génération dakou - Yann Jun + CD
Rois de la forêt - Alain Garlan
Je ne peux pas ne pas - Geneviève Romang
Le dos des choses - Guillaume Goutal
Planning - Pierre Escot
Hobo Nickel - Damien Sauvage
Piano - Joseph Charroy
Temps d'arrêt - Etienne Buyse
š! #39 'The End' - coll.
Roven n°5
Le chateau enchanté - Atelier Mclane
Sans titre - Chris Kiss
Nebulae - Aude Barrio, Néoine Pifer
interférence - 2 - maycec 







































