A collection of 41 monoprints created by Karel Martens in 2019 and 2020, reproduced on their original size (front and back). Karel Martens: « In 2018 I received a package by mail from Pierre Leguillon with a small pile of used Japanese forms which he had found at a street market in Tokyo. An intriguing collection, printed on thin paper with a rectangular black-blue layer of carbon on the back. Initially in 2019 I started to print on these back sides, but because the overprinting on the carbon layer caused unwanted damage, I eventually started printing them on the front sides as well. The closing image is related to Tokyo in a different way. » Design: Karel Martens with Roger Willems

40 recto + 40 verso

Atopoz - Collectif
Pectus Excavatum - Quentin Yvelin
Triptyque - Ronan Bouroullec
Halfgrijs - Coll.
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Comment sont passés les jours - Alizée De Pin
Beuglantine s'emmerde - coll.
akaBB - tribute to Roni horn
Green (or moles on a golf course) - Aslak Gurholt
Gros Gris n°4 - Duel
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Revue Les Saisons n°3
Dans la Lune - Fanette Mellier
Sans titre - Chris Kiss
Good Company - Paul Van der Eerden
Débris N°2 - Théo Garnier Greuez
Sillo n°3 - Le Fauve
Konrad Becker - Dictionnaire de réalité stratégique
Aristide n°4
The Tinklers Charts and Stories - LEBRUN Olivier, LEHNI Urs
La France de tête #04
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Mosaïque d'asphalte - Jack Torrance
Editer l’art – Leszek Brogowski 







































