A collection of 41 monoprints created by Karel Martens in 2019 and 2020, reproduced on their original size (front and back). Karel Martens: « In 2018 I received a package by mail from Pierre Leguillon with a small pile of used Japanese forms which he had found at a street market in Tokyo. An intriguing collection, printed on thin paper with a rectangular black-blue layer of carbon on the back. Initially in 2019 I started to print on these back sides, but because the overprinting on the carbon layer caused unwanted damage, I eventually started printing them on the front sides as well. The closing image is related to Tokyo in a different way. » Design: Karel Martens with Roger Willems

40 recto + 40 verso

The Shelf - Journal 3
Retour d'y voir - n° 1 & 2 - Mamco
Paris la Consciencieuse : Paris la Guideuse du monde - Frédéric Bruly Bouabré
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Manhoru - Thomas Couderc - Studio Helmo
Je ne peux pas ne pas - Geneviève Romang
Pectus Excavatum - Quentin Yvelin
The life of Ruben - Bernardo Sousa Santos
Temps d'arrêt - Etienne Buyse
Musée des Beaux-Arts - Pierre Martel
Polyphème (d'après Euripide) - J. & E. LeGlatin
Escape - Makiko Minowa
Shanghai Cosmetic - Leslie Moquin
Village - Julie Safirstein
À partir de n°1 - Coll.
Grilles - Zelda Mauger
Mökki n°2
Pénurie - Zivo, Jérôme Meizoz
Regards croisés — Gekreutze Blicke - Yeloyolo
La prise - Florian Javet
Critique d'art n°55
Paysageur n°3 - Mobiles
La France de tête - Lot de 4 numéros
Le chateau enchanté - Atelier Mclane
Ventoline 5 - Coll.
16 x 421 - Lorraine Druon
ARTZINES #1, Paris issue
Le vieux père - Laurent Kropf 







































