The images of ‘tempête après tempête’ were shot during Rebekka Deubners second journey to Fukushima-ken, in the summer of 2019. On 03.11.2011 a part of the north-east-coast was impacted by three major catastrophes: a naval quake, a tsunami, and lastly the explosion of the Fukushima Daiichi nuclear power plant.
Deconstruction does not only causes annihilation, it also creates the occasion for new forms of life to emerge. ‘tempête après tempête’ portrays Fukushima through close-ups of inhabitants, scattered pieces of land, details of sea landscapes, moving elements of nature such as insects, humans, seaweed, pieces of bodies,… they all merge into a new and hybrid body.
For Deubner taking close-ups is a way of working that is essential to her practice. Looking at things from a near perspective, gives her the opportunity to feel their materiality and texture directly through her eyes. It is as if the lens of the camera is an extension of her touch. It also allows her and her subjects to experience a form of contemplation. Taking time to create a testimony of this land where all the scattered pieces were never been understood as a whole.
104 pages.


Critique d'art n°54
interférence - 3 - maycec
Grilles - Zelda Mauger
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Éclats III - Athanor
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
Après la révolution – numéro 1
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Flynn zine # 1 - Flynn Maria Bergmann
Saveurs imprévues et secrètes - Gilbert Lascault
Eldorado maximum - Les commissaires anonymes
La grande surface de réparation - Gilles Pourtier
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Poster Tribune # 11
Saint Julien l'hospitalier Tome 2 - Claire Pedot 









