Dash Snow (1981–2009) is best known for his sculptural installations, collages, and photographs. Snow has exhibited in galleries and museums such as the New Museum of Contemporary Art, the Whitney Biennale, Deitch Projects and CFA Gallery in Berlin.

Since his late teens, Snow has used photography to documents his days and nights of extreme hedonism – nights which, as he famously claimed, he might not otherwise remember. This Zine contains a selection of his critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.
Published by NievesInnen, 32 pgs, 14 × 20 cm, Softcover

Critique d'art n°56
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Dear Paul - Paul Van der Eerden
Piano - Joseph Charroy
Le singe et le bijoux - Roxane Lumeret
Zoom Age - Julien Auregan
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Talweg 6 - La distance
Le vieux père - Laurent Kropf
Bacon le Cannibale - Perrine Le Querrec
Seoul Flowers & Trees - tribute to Lee Friedlander
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Sillo n°3 - Le Fauve
Inframince et hyperlié - Philippe Lipcare
Artzines #12 Provo Special
Tchat - Gary Colin
Wayfaring - Patrick Messina, André S. Labarthe 





