Dash Snow (1981–2009) is best known for his sculptural installations, collages, and photographs. Snow has exhibited in galleries and museums such as the New Museum of Contemporary Art, the Whitney Biennale, Deitch Projects and CFA Gallery in Berlin.

Since his late teens, Snow has used photography to documents his days and nights of extreme hedonism – nights which, as he famously claimed, he might not otherwise remember. This Zine contains a selection of his critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.
Published by NievesInnen, 32 pgs, 14 × 20 cm, Softcover

Prose postérieure - Les commissaires anonymes
Sans titre - Benjamin Hartmann
fig. #6 - antithèse
Illusive prosody - Alex Beaurain
Optical Sound 3
Mökki n°2
America - Ayline Olukman, Hélène Gaudy
Dessins pour Rugir - Virginie Rochetti
Photographic Fields - Joël Van Audenhaege
SKKS - Gilles Pourtier
Hmm ! - C. de Trogoff
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Strates - Else Bedoux
Tomber dans l'escalier - Jasper Sebastian Stürup
In The Navy - Julien Kedryna
Composite n° 04
Konrad Becker - Dictionnaire de réalité stratégique
interférence - 3 - maycec
La typographie des Penguin Classics - Andrew Barker
Alma Mater n°1
Shanghai Cosmetic - Leslie Moquin 





