Dash Snow (1981–2009) is best known for his sculptural installations, collages, and photographs. Snow has exhibited in galleries and museums such as the New Museum of Contemporary Art, the Whitney Biennale, Deitch Projects and CFA Gallery in Berlin.

Since his late teens, Snow has used photography to documents his days and nights of extreme hedonism – nights which, as he famously claimed, he might not otherwise remember. This Zine contains a selection of his critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.
Published by NievesInnen, 32 pgs, 14 × 20 cm, Softcover

Bande Annonce - Cinéma & Bande Dessinée - Coll.
Deep state - Mathieu Desjardins
Saveurs imprévues et secrètes - Gilbert Lascault
Philatélie - Magali Brueder
Gruppen n°13 - Collectif
Ellipse - Ismail Alaoui-Fdili
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Assembly - Sam Porritt
Le vieux père - Laurent Kropf
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Sillo n°3 - Le Fauve
Polygone n°01 - Amour - Collectif
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Un essai sur la typographie - Eric Gill
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Alma Mater n°1
Morph - Camilo García A.
L'inventaire des destructions - Éric Watier
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Ar(t)chitectures situées - Étienne Delprat
Der Erste Rotkehlchen - Le livre
La traversée - Magali Brueder 





