Dash Snow (1981–2009) is best known for his sculptural installations, collages, and photographs. Snow has exhibited in galleries and museums such as the New Museum of Contemporary Art, the Whitney Biennale, Deitch Projects and CFA Gallery in Berlin.

Since his late teens, Snow has used photography to documents his days and nights of extreme hedonism – nights which, as he famously claimed, he might not otherwise remember. This Zine contains a selection of his critical Dada-esque collages, which range from cum-glittered tabloid covers starring Saddam Hussein to straight text pieces to sculptural works composed of items like books and skeletal fragments; and a smattering of the photographs and Polaroids that originally made Snow famous outside of street art culture, where he began writing graffiti.
Published by NievesInnen, 32 pgs, 14 × 20 cm, Softcover

IRL - In real life n°1 - Coll.
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
America - Ayline Olukman, Hélène Gaudy
Burning Images, A History of Effigy Protests - Florian Göttke
Bobst Graphic 1971-1981 - G. Cachin ; D Fornari ; F Rappo
Dans la Lune - Fanette Mellier
Inframince et hyperlié - Philippe Lipcare
Eldorado maximum - Les commissaires anonymes
Bruits - Emmanuel Madec
Aurore Colbert - Marie Mons
Pureté et impureté de l’art. Michel Journiac et le sida Antoine Idier
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Sillo n°3 - Le Fauve
Pour une esthétique de l'émancipation - Isabelle Alfonsi
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Critique & création - L.L. de Mars
Slanted 30 - Athens
Konrad Becker - Dictionnaire de réalité stratégique
Photographic Fields - Joël Van Audenhaege 





