As you see on the front cover of this issue, one can easily grow one’s own salt crystal at home, using a glass of salted water and a string attached to a pencil. Within few days the evaporation of water induces a shifting of matter from the water to the string as the less energetic way for sodium chloride to reorganise itself.

After discovering the principle of natural salt crystallisation near Salzburg were miners used to offer to tourists dry branches
covered with a shining deposit of crystals, French writer Stendhal in his essay ‘On Love’ (1822) used it as a metaphor to describe the ‘birth of love’ in human relationships.
According to Stendhal, the mental process when one sees flattering illusions in a new love, hiding the unattractive characteristics of this person, is quite similar to the sparkly diamonds covering a leafless piece of wood after the natural crystallisation of the salt.
Exploring the same phenomenon, Fabio Parizzi intended in this book to describe this chemical reaction with 50 sketches.
This visual attempt to understand the basic structure of matter in space and its physical behaviour embracies the fascination of mankind for the primary form of solid structure first described by Plato more than 2.300 years ago.
SALT CRYSTAL
Edited by
Philippe Desarzens
Crystal drawings and tattooed arm
Fabio Parizzi
148,5 / 204 mm, 53 pages
Xerox printed
Book edges printed in black

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Le Gabion - Théo Robine-Langlois
Retour d'y voir - n° 1 & 2 - Mamco
UP8 — Pour une pédagogie de l'architecture
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
The life of Ruben - Bernardo Sousa Santos
People in a faraday cage - Stéphanie Gygax
Les soleils qui tournent ont des oreilles - coll.
A Home with no Roof - Sara De Brito Faustino
Le chateau enchanté - Atelier Mclane
Pénurie - Zivo, Jérôme Meizoz
IMPROVISATION N. 190220 - Miki Lowe
Tomber dans l'escalier - Jasper Sebastian Stürup
Revue Les Saisons n°3
Les Mains sales - Collectif
Soundtrack/s - Rosaire Appel
Mercometal
Sillo n°3 - Le Fauve
Du Fennec au Sahara - Guillaume Pinard
Tchat - Gary Colin
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Deep state - Mathieu Desjardins
Cuadernos - Henry Deletra
Papier magazine n°06 - Coupe du monde
Radio-Art - Tetsuo Kogawa
Super Kiblind 3
Der Erste Rotkehlchen - Le livre
Watch out - Anne-Émilie-Philippe
Roven n°5
Guten Tag - Pablo Tomek
Lumières - Guillaume Chauchat
Je ne peux pas ne pas - Geneviève Romang
It was a good day - Jeremy Le Corvaisier
Dear Paul - Paul Van der Eerden
Le corps travesti - Michel Journiac
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Titanic Orchestra - Julien Mauve
Piano - Joseph Charroy
Aurore Colbert - Marie Mons
Prototype 02 - morcellement
Imagos - Noémie Lothe
Critique d'art n°56
Atopoz - Collectif
In The Navy - Julien Kedryna
Rendezvous - Eléonore Pano-Zavaroni
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Sans titre - Benjamin Hartmann
America - Ayline Olukman, Hélène Gaudy
Critique d'art n°55
MegaOctet Verbateam
Hideous - Thomas Perrodin, Néoine Pifer
Vacuité 9090 - Jérémy Piningre
Wayfaring - Patrick Messina, André S. Labarthe
Gruppen n°13 - Collectif
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
The Letter A looks like The Eiffel Tower - Paul Andali
Blaclywall by Sihab Baik - Claude Closky 



