
Friendship creates security, protection, care and togetherness where institutions fail to provide queer people with adequate support structures, or even worse, incite discrimination. Especially in the art sector, queers represent stakeholders with multiple precarious backgrounds exposed to increased economic and health pressures. This is where queer relations and networks can serve as safety nets, strategies of emotional and economic support as well as survival.
This zine is about friendship in a double sense. It is based on a long and deep communion between the editors. In addition, nine artists and collectives discuss the topic in many different ways: often overtly addressing intimacy, like-mindedness, closeness, and often vaguely, along the lines of technology, networks, and dependence.
Intended to be a space for queer artists, queer art and queer themes, Rosé puts the works at its center. It features photography, performance, design, installation, happening, painting, social media art, sculpture and drag. In this sense, Rosé can be seen as an exhibition that can be touched, picked up, taken away and shared. This is Rosé, meant to be in motion.

Turlupin N°1 \ Soumission — Michael Dans
Bonbons à l'anis - Cecilia Pavón
Image Canoë - Jérémie Gindre
Pour une esthétique de l'émancipation - Isabelle Alfonsi
mini kuš! #103 Grandad Reg - Patrick Wray, Clara Heathcock
Modern Instances, The Craft of Photography - Stephen Shore
本の本の本 2016 – 2020 — Homage to Sol LeWitt - antoine lefebvre editions
Sex Work is Work - Inmensidades
Farandole - Jérémie Fischer
Incipit - Aymeric Vergnon
How Many - Nathalie Du Pasquier
Une histoire russe - Claude Grétillat
(page 1 et 17) - Lorraine Druon
MENU メニュー - Wataru Tominaga 







