
Friendship creates security, protection, care and togetherness where institutions fail to provide queer people with adequate support structures, or even worse, incite discrimination. Especially in the art sector, queers represent stakeholders with multiple precarious backgrounds exposed to increased economic and health pressures. This is where queer relations and networks can serve as safety nets, strategies of emotional and economic support as well as survival.
This zine is about friendship in a double sense. It is based on a long and deep communion between the editors. In addition, nine artists and collectives discuss the topic in many different ways: often overtly addressing intimacy, like-mindedness, closeness, and often vaguely, along the lines of technology, networks, and dependence.
Intended to be a space for queer artists, queer art and queer themes, Rosé puts the works at its center. It features photography, performance, design, installation, happening, painting, social media art, sculpture and drag. In this sense, Rosé can be seen as an exhibition that can be touched, picked up, taken away and shared. This is Rosé, meant to be in motion.

Confetti - Gary Colin
Comment sont passés les jours - Alizée De Pin
Au bord d'une route vers Camp Meeker - Evan Renaudie
fil·le·s de polypropylène bleu - coll.
On dirait le sud - Anne-Sophie Turion
Travailler, lutter, diffuser – Archives militantes du Centre Grisélidis Réal de documentation internationale sur la prostitution, Genève
Ventoline 5 - Coll.
Costumes - Anne Jourdain
Documents relatifs à l'édition pirate du Traité du style de Louis Aragon par Gérard Berréby
Wages For Wages Against – Volume 1 + 2
Planning - Pierre Escot
Démontage - Fred Fivaz
(page 1 et 17) - Lorraine Druon 







