
Friendship creates security, protection, care and togetherness where institutions fail to provide queer people with adequate support structures, or even worse, incite discrimination. Especially in the art sector, queers represent stakeholders with multiple precarious backgrounds exposed to increased economic and health pressures. This is where queer relations and networks can serve as safety nets, strategies of emotional and economic support as well as survival.
This zine is about friendship in a double sense. It is based on a long and deep communion between the editors. In addition, nine artists and collectives discuss the topic in many different ways: often overtly addressing intimacy, like-mindedness, closeness, and often vaguely, along the lines of technology, networks, and dependence.
Intended to be a space for queer artists, queer art and queer themes, Rosé puts the works at its center. It features photography, performance, design, installation, happening, painting, social media art, sculpture and drag. In this sense, Rosé can be seen as an exhibition that can be touched, picked up, taken away and shared. This is Rosé, meant to be in motion.

Fluent - Laëticia Donval
9 octobre 1977 - Roberto Varlez
À partir de n°3 - Collectif
Revue La Ronde n°14
Alma Mater n°1
Un essai sur la typographie - Eric Gill
Le Gabion - Théo Robine-Langlois
Sillo n°3 - Le Fauve
Saint Julien l'hospitalier Tome 3 - Claire Pedot
D’l’or - Rosanna Puyol Boralevi
Good Company - Paul Van der Eerden
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Retour d'y voir - n° 1 & 2 - Mamco
Photographic Fields - Joël Van Audenhaege
Der Erste Rotkehlchen - Le livre
Aurore Colbert - Marie Mons
Gruppen n°14 - Collectif
Optical Sound 3
Sans titre - Benjamin Hartmann
Les glaciers - Lorraine Druon 







