
Pope Francis,
Ekow Eshun
Aria Dean
Stephen Shore
Issy Wood
Huw Lemmey
Traum Inc.
Anna Blessmann
Rebecca Sharp
Brady Ng
Hera Chan
Pekeri Ruska
Peer Illner
A & R. bin Shabib
Adjustments Agency
Ben Cullen Williams
Charlie Robin Jones
Jack Self
Michel de Montaigne
WEB Bois
We can’t go back, but we don’t want to. Nor can we go on like this much longer. What will emerge from such a transitional phase, when the civic body is so lacking in health (physical, moral, political and economic)?
The Renaissance was not an end in itself, but a bridge between two paradigms (feudalism and modernity). It was a cultural movement that diverted history by rediscovering lost pasts. Today, we do not need newness to cut short capitalist realism, to restore a degraded nature, to achieve greater equality. We have everything necessary for change. We only need the will.
INSIDE REAL REVIEW 10
What is a renaissance? We interview His Holiness Pope Francis on the commodification of our souls. Writer EKOW ESHUN reviews WEB BOIS’ double consciousness. Curator ARIA DEAN reviews FUTURE’s Mask Off and Black excellence. Photographer STEPHEN SHORE, in conversation with JACK SELF, reviews pictures of the present. Artist ISSY WOOD reviews Diet Coke. Editor and NHS worker REBECCA SHARP reviews the SOCIALIST PATIENTS COLLECTIVE, while BRADY NG and HERA CHAN review Hong Kong protest strategies.
Also in the issue: HUW LEMMEY reviews PIETRO ARETINO, the Renaissance master of pornographic literature and blackmail. TRAUM INC. with REAL REVIEW present a Renaissance collaboration inspired by MARCUS AURELIUS and GIOTTO. Artist ANNA BLESSMANN reviews absent artefacts and Indigenous activist PEKERI RUSKA reviews the Aboriginal concept of country. PEER ILLNER reviews WhatsApp and surveillance capitalism, while ADJUSTMENTS AGENCY reviews groundbreaking ceremonies. AHMED and RASHID BIN SHABIB review pigeon architecture and artist BEN CULLEN WILLIAMS reviews Antarctica (through the lens of AI neural networks). CHARLIE ROBIN JONES reviews horoscopes, MICHEL DE MONTAIGNE reviews solitude and JACK SELF reviews the internet.

Prototype 02 - morcellement
Piano - Joseph Charroy
Zombie Girls 2.0 - Lucie Lučanská
Ludmilla Cerveny - Work
Polyphème (d'après Euripide) - J. & E. LeGlatin
Sans titre - Chris Kiss
Le blanc nez - Fouss Daniel
Good Company - Paul Van der Eerden
Au chevet des milieux : L'émancipation par l'outil manuel - Yetecha Negga
Temps d'arrêt - Etienne Buyse
Aristide n°4
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Les Grands Ensembles - Léo Guy-Denarcy
Saint Julien l'hospitalier Tome 2 - Claire Pedot
L’intérêt à agir. Quand l’art s’inquiète du droit des étrangers et du droit d’auteur - Coll.
Désolation - Verity Spott
Le style anthropocène - Philippe Rahm
Le Dépli - Loïc Largier
Femme, Arabe et... Cinéaste - Heiny Srour
Anarchitecte - Olivier Verdique alias Alvar Le Corvanderpius
Grilles - Zelda Mauger
Aurore Colbert - Marie Mons
Bande Annonce - Cinéma & Bande Dessinée - Coll.
La prise - Florian Javet
Gros Gris n°4 - Duel
The Book Fight - Chihoi
Darkest Night - Joel Van Audenhaege
Pectus Excavatum - Quentin Yvelin
Après la révolution – Hors-série – JO Paris 2024. Carnets de luttes
Le chateau enchanté - Atelier Mclane
Saint Julien l'hospitalier Tome 3 - Claire Pedot
In The Navy - Julien Kedryna
Titanic Orchestra - Julien Mauve
Délié - Baptiste Oberson
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
Tomber dans l'escalier - Jasper Sebastian Stürup
L'arum tacheté de J-M. Bertoyas
Tu peux répéter ? – Écrire, parler, expérimenter les langues - Marianne Mispelaëre
Mariken Wessels — Miss Cox
À partir de n°1 - Coll.
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Critique d'art n°54 





















