Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Marcel Proust en cinq minutes — Jackson B. Smith
La beauté d'une musique qui ne compte pas - Kenneth Gaburo
Critique d'art n°54
L'inventaire des destructions - Éric Watier
Titanic Orchestra - Julien Mauve
Optical Sound 3
Florina Leinß - Ersatzteillager
De lave et de fer - Laurent Feynerou
Assembly - Sam Porritt
Objets Minces - Collectif
Image Canoë - Jérémie Gindre
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Entretiens – Jérôme Dupeyrat
Tomber dans l'escalier - Jasper Sebastian Stürup
Zoom Age - Julien Auregan
Papier magazine n°06 - Coupe du monde
In The Navy - Julien Kedryna
Rasclose - Geoffroy Mathieu
the Ghost of Weaving - Coll.
Aurore Colbert - Marie Mons
Lavori in corso - Florence Cats & Joseph Charroy
Dédale - Laurent Chardon
Pénurie - Zivo, Jérôme Meizoz
Avec ce qu'il resterait à dire - Anne Maurel
OKATAOKA MEETS FOLK ART SERIES “HELLO MEXICO”
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
La vallée - la brèche - Tania Maria Elisa
Grilles - Zelda Mauger
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Piano - Joseph Charroy 























