Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Musique pour les yeux - Johann Bertrand Dhy
Parataxes + CD - Michael Gendreau
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Perturbations - Rosaire Appel
Aurore Colbert - Marie Mons
Eros Negro # 1 - Demoniak
Hiver sur les continents cernés - F.J. OSSANG
Musée des Beaux-Arts - Pierre Martel
People in a faraday cage - Stéphanie Gygax
Débris N°2 - Théo Garnier Greuez
Der Erste Rotkehlchen - Le livre 























