Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Optical Sound 3
Collective Design : Alison & Peter Smithson
Pénurie - Zivo, Jérôme Meizoz
A l'origine - Anne-Émilie-Philippe
Prose postérieure - Les commissaires anonymes
L'arum tacheté de J-M. Bertoyas
La prise - Florian Javet
Le vieux père - Laurent Kropf
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Rue Englelab, La révolution par les livres - Iran 1979 - 1983 - Hannah Darabi
Der Erste Rotkehlchen - Le livre
Holy etc. - Fabienne Radi
Imagos - Noémie Lothe
Critique d'art n°54
SKKS - Gilles Pourtier
Critique & création - L.L. de Mars
Konrad Becker - Dictionnaire de réalité stratégique
52 vendredis — Léonore Emond, Damien Duparc, Yaïr Barelli et Charlotte York
People in a faraday cage - Stéphanie Gygax
Le corps travesti - Michel Journiac 























