Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Saint Julien l'hospitalier Tome 2 - Claire Pedot
Critique d'art n°55
interférence - 2 - maycec
Eros negro n°4 - Démoniak
Le dos des choses - Guillaume Goutal
Editer l’art – Leszek Brogowski
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Blanche Endive - Grégoire Motte & Gabriel Mattei
Je ne peux pas ne pas - Geneviève Romang
Burning Images, A History of Effigy Protests - Florian Göttke
De lave et de fer - Laurent Feynerou
Aurore Colbert - Marie Mons
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Seoul Flowers & Trees - tribute to Lee Friedlander
Le Choix du peuple - Nicolas Savary, Tilo Steireif 























