Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Tomber dans l'escalier - Jasper Sebastian Stürup
9 octobre 1977 - Roberto Varlez
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Les Grands Ensembles - Léo Guy-Denarcy
Musée des Beaux-Arts - Pierre Martel
La grande surface de réparation - Gilles Pourtier
Un essai sur la typographie - Eric Gill
De lave et de fer - Laurent Feynerou
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Photographic Fields - Joël Van Audenhaege
Watch out - Anne-Émilie-Philippe
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Cuadernos - Henry Deletra
The Shelf - Journal 3
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
Shanghai Cosmetic - Leslie Moquin 























