Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Bande Annonce - Cinéma & Bande Dessinée - Coll.
Notre condition. Essai sur le salaire au travail artistique – Aurélien Catin
Artzines #12 Provo Special
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez - FR
Pénurie - Zivo, Jérôme Meizoz
Konrad Becker - Dictionnaire de réalité stratégique
Prose postérieure - Les commissaires anonymes
the Ghost of Weaving - Coll.
Una Silla Plegada ( A Folded Chair) - José Quintanar
Le Monde en situation - Vanessa Theodoropoulou
Blanche Endive - Grégoire Motte & Gabriel Mattei
Piano - Joseph Charroy
Klima Pages #2 — Somptueuses Résidences
Le corps travesti - Michel Journiac
À partir de n°1 - Coll.
Le dos des choses - Guillaume Goutal
Image Canoë - Jérémie Gindre
De lave et de fer - Laurent Feynerou
Lucky Me - Eva Rotreklová & Jules Janssen
Tools #04 – Couper / To Cut
Un cheval, des silex - Benoît Maire, Sally Bonn
Imagos - Noémie Lothe
Cuadernos - Henry Deletra
Musique pour les yeux - Johann Bertrand Dhy
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Eros Negro # 1 - Demoniak
Shanghai Cosmetic - Leslie Moquin 























