Started as a visual diary, ‘Ravedeath Convention’ soon grew into a hybrid of autobiography and fiction. While love, joy and friendship are explored, violence and excess come about too, often captured only as traces and symptoms. A collision of different, occasionally mismatched, cultural symbols stresses the all-embracing blend of subcultres as a fundamental feature of our times.

The first pictures taken at age thirteen, this series of black and white images is the edit of a continuous process of photographing, revisiting and reworking over a span of ten years. In the crippled prints the physical presence of body and photograph merge, celebrating human imperfection. The title references Tim Hecker’s album ‘Ravedeath,1972’.

Wayfaring - Patrick Messina, André S. Labarthe
Les glaciers - Lorraine Druon
Un essai sur la typographie - Eric Gill
Migrant Mother, Migrant Gender - Sally Stein
Temps d'arrêt - Etienne Buyse
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Revue Les Saisons n°3
Titanic Orchestra - Julien Mauve
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
Baron - Richard Kern
Assembly - Sam Porritt
Prose postérieure - Les commissaires anonymes
Il est si difficile de trouver le commencement - Helen Thorington
Sans titre - Benjamin Hartmann
Fluent - Laëticia Donval
Sans titre - Chris Kiss
Pectus Excavatum - Quentin Yvelin 























